The Ladislaw Case
60.00 kr 150.00 krPrice range: 60.00 kr through 150.00 kr
This sequel to Middlemarch is also in a limited sense a sequel to Dickens’ Bleak House. While there is no need to have read either novel in order to enjoy The Ladislaw Case, acquaintance with George Eliot’s characters and Dickens’ Inspector Bucket enhances the reader’s pleasure in following the twists and turns of the plot and the tribulations of the characters.
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Here is a chapter from the book: [Ladislaw Chapter 23.pdf]
“Thormählen writes very well, moves the plot along, and keeps the tension at just the right pitch throughout. She does a particularly good job extrapolating Eliot’s characters, convincingly making Ladislaw much less attractive than he is in Eliot’s novel and revealing the implications of Rosamond’s chilling egotism … Thormählen … has created an entertaining re-vision of a major Victorian novel [which] successfully extrapolates elements in [Middlemarch] that both illuminate and criticize [it].” George P. Landow, Editor-in-Chief, The Victorian Web.
‘One of the pleasures of reading Imke Thormählen’s murder mystery … is that it works on two levels: even as it unravels the question of who committed the murder, the novel provides a thought-provoking sequel to George Eliot’s Middlemarch. /—/ [It contains] … strong narrative suspense, psychological realism, and a credible Victorian setting … [I]maginatively and insightfully faithful to George Eliot’s vision … this novel … reveals some of the hitherto untapped potential that lies latent in … Eliot’s novel and is, at the same time, a very good read indeed.’
Micael M. Clarke, George Eliot — George Henry Lewes Studies, Nos. 64-65
‘The characterization of the main protagonists in the story is generally consistent with that created by George Eliot … Characters impress us or repel us by what they say. There is no difficulty here in recognizing their voices: the clear sombre voice of the disappointed Dr Lydgate; the excessively polite voice of Rosamond, so quick to criticize her husband and add to his sense of failure in his professional and social life; the irritable and yet self-critical voice of the young politician Ladislaw; the certain tones of Lady Chettam secure in her social position, correcting her sister “Dodo” and yet always caring for her … If the reader has also devoured Middlemarch, he or she will be eager to meet old friends, to be reminded of some of the darker strands of that story, and ultimately, tense with expectations, excited to discover the murderer. We are kept guessing until very near the end and for most readers the revelation will be a real surprise.’
Ruth and Michael Harris, The George Eliot Review 44 (2013), 88-89
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Der Weg nach Altenburg (ePub & PDF)
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A Happy Man or Der Glückliche
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T.S. Eliot at the Turn of the Century
In 1993, a group of Eliot scholars came together in Lund to address the question of T. S. Eliot´s standing a hundred years after his death and on the threshold of a new millennium. The 1990s were years of Eliot-bashing; much was made of his alleged misogyny, racism, and anti-semitism, and even at the beginning of decade it was obvious that the poet´s status had suffered. Bernard Bergonzi, Lois A. Cuddy, Barbara Everett, Rudolf Germer, Nancy D. Hargrove, M. Teresa Gibert-Maceda, Stephen Medcalf, A. David Moody, Kristian Smidt, and Marianne Thormählen analysed different aspects of Eliot´s work and found enough strength and power in it to be cautiously optimistic about his future. Emrys Jones read a paper on a Stratford production of Murder in the Cathedral which focused attention on Eliot´s writing for the stage, and Grover Smith, who could not attend the meeting, contributed a new approach to The Cocktail Party. All these essays were published in the volume called T. S. Eliot at the Turn of the Century, including A. David Moody on Eliot and the mind of Europe, Nancy D. Hargrove on Eliot´s annus mirabilis in Paris (1910-1911), Bernard Bergonzi on Eliot and the city, Lois A. Cuddy on evolution in Eliot´s work, Rudolf Germer on Eliot and religion, M. Teresa Gibert-Maceda on women and Eliot, Marianne Thormählen on the problem of the individual personality in Eliot´s poetry and plays, Stephen Medcalf on the Sweeney poems, Kristian Smidt on Eliot´s less than fair treatment of the Victorians in his criticism, and Barbara Everett on the unpleasantness of meeting Mr Eliot. The volume also contains an edited version of a panel discussion about Eliot´s standing and Eliot studies. (Lund Studies in English 86, 1984; 244 pp, ed. Marianne Thormählen.)
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T. S. Eliot is felt by many to have been the poet of the twentieth century, and his famous The Waste Land is the best known poem of that century in English. Many people have found it hard to come to grips with, though, and reading Eliot remains a challenge.
"A hoax", "tripe", a piece of "rhythmical grumbling" (the latter is the poet´s own description) -- is T. S. Eliot´s The Waste Land really worth all the attention it has come in for since its publication in 1922? Thousands of literary critics and scholars have been writing about it -- what inspired such enormous efforts? And will the new millennium gratefully drop it into semi-oblivion as a period piece belonging to the world of yesterday? You´ll know more about The Waste Land, and about Eliot, and about the way you yourself respond to modern poetry after reading Marianne Thormählen´s The Waste Land: A Fragmentary Wholeness. First published in 1978, it has become a standard work on the poem, partly thanks to its generous annotation and bibliography which have helped many students chart their own way through this challenging terrain. The book tells you about the poem´s gestation, Ezra Pound´s midwifery, metre and rhythm in the Waste Land, and the symbolic imagery that is such a powerful dimension in all of Eliot´s work. It also suggests ways of freeing the reader from the obligation to make it all hang together by working out a consistent "plan" or "structure". Let The Waste Land: A Fragmentary Wholeness help you form your own relationship with the greatest modernist poem, unhampered by preconceived notions and unworried by its alleged "difficulty". (Lund Studies in English No. 52, 1978; 248 pp.)
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https://www.palgrave.com/page/detail/rethinking-modernism-marianne-thormählen/?sf1=barcode&st1=9781403911803
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