Wenn Wörter töten könnten (Epub)
45.00 kr
Axel Thormählens Literatur-Thriller Wenn Wörter töten könnten ist ein mit einer gehörigen Portion Satire angereicherter, spannender Roman, dessen Handlungen sich hinter den Kulissen des Literatur-Betriebs abspielen. Die verschiedenen Intrigen dehnen sich von Hamburg bis ins schwedische Universitätsstädtchen Lund, um auf der Insel Gotland ihre Auflösung zu finden.
Erschien Anfang Mai 2020 in einer Neuauflage bei JMB Verlag.
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The Ladislaw Case
This sequel to Middlemarch is also in a limited sense a sequel to Dickens’ Bleak House. While there is no need to have read either novel in order to enjoy The Ladislaw Case, acquaintance with George Eliot’s characters and Dickens’ Inspector Bucket enhances the reader’s pleasure in following the twists and turns of the plot and the tribulations of the characters.
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Here is a chapter from the book: [Ladislaw Chapter 23.pdf]
"Thormählen writes very well, moves the plot along, and keeps the tension at just the right pitch throughout. She does a particularly good job extrapolating Eliot's characters, convincingly making Ladislaw much less attractive than he is in Eliot's novel and revealing the implications of Rosamond's chilling egotism ... Thormählen ... has created an entertaining re-vision of a major Victorian novel [which] successfully extrapolates elements in [Middlemarch] that both illuminate and criticize [it]." George P. Landow, Editor-in-Chief, The Victorian Web.
'One of the pleasures of reading Imke Thormählen's murder mystery ... is that it works on two levels: even as it unravels the question of who committed the murder, the novel provides a thought-provoking sequel to George Eliot's Middlemarch. /---/ [It contains] ... strong narrative suspense, psychological realism, and a credible Victorian setting ... [I]maginatively and insightfully faithful to George Eliot's vision ... this novel ... reveals some of the hitherto untapped potential that lies latent in ... Eliot's novel and is, at the same time, a very good read indeed.'
Micael M. Clarke, George Eliot -- George Henry Lewes Studies, Nos. 64-65
'The characterization of the main protagonists in the story is generally consistent with that created by George Eliot ... Characters impress us or repel us by what they say. There is no difficulty here in recognizing their voices: the clear sombre voice of the disappointed Dr Lydgate; the excessively polite voice of Rosamond, so quick to criticize her husband and add to his sense of failure in his professional and social life; the irritable and yet self-critical voice of the young politician Ladislaw; the certain tones of Lady Chettam secure in her social position, correcting her sister "Dodo" and yet always caring for her ... If the reader has also devoured Middlemarch, he or she will be eager to meet old friends, to be reminded of some of the darker strands of that story, and ultimately, tense with expectations, excited to discover the murderer. We are kept guessing until very near the end and for most readers the revelation will be a real surprise.'
Ruth and Michael Harris, The George Eliot Review 44 (2013), 88-89
T.S. Eliot at the Turn of the Century
In 1993, a group of Eliot scholars came together in Lund to address the question of T. S. Eliot´s standing a hundred years after his death and on the threshold of a new millennium. The 1990s were years of Eliot-bashing; much was made of his alleged misogyny, racism, and anti-semitism, and even at the beginning of decade it was obvious that the poet´s status had suffered. Bernard Bergonzi, Lois A. Cuddy, Barbara Everett, Rudolf Germer, Nancy D. Hargrove, M. Teresa Gibert-Maceda, Stephen Medcalf, A. David Moody, Kristian Smidt, and Marianne Thormählen analysed different aspects of Eliot´s work and found enough strength and power in it to be cautiously optimistic about his future. Emrys Jones read a paper on a Stratford production of Murder in the Cathedral which focused attention on Eliot´s writing for the stage, and Grover Smith, who could not attend the meeting, contributed a new approach to The Cocktail Party. All these essays were published in the volume called T. S. Eliot at the Turn of the Century, including A. David Moody on Eliot and the mind of Europe, Nancy D. Hargrove on Eliot´s annus mirabilis in Paris (1910-1911), Bernard Bergonzi on Eliot and the city, Lois A. Cuddy on evolution in Eliot´s work, Rudolf Germer on Eliot and religion, M. Teresa Gibert-Maceda on women and Eliot, Marianne Thormählen on the problem of the individual personality in Eliot´s poetry and plays, Stephen Medcalf on the Sweeney poems, Kristian Smidt on Eliot´s less than fair treatment of the Victorians in his criticism, and Barbara Everett on the unpleasantness of meeting Mr Eliot. The volume also contains an edited version of a panel discussion about Eliot´s standing and Eliot studies. (Lund Studies in English 86, 1984; 244 pp, ed. Marianne Thormählen.)
Eliot’s Animals
T. S. Eliot´s poems and plays are full of animals, from the alley cats of the early poems by way of the eagle, leopards, and unicorns in Ash-Wednesday to the birds in Four Quartets. Marianne Thormählen´s Eliot´s Animals takes you on a guided tour of Eliot´s bestiary, showing how the poet brought a rich variety of ideas about animals into his texts and invested those texts with layers of meaning derived from, for instance, Dante, Baudelaire, and the Bible. Eliot´s Animals is a book to dip into for the Eliot reader curious to see how a particular scene can be perceived with reference to the function of a particular animal image. There is no need to read it straight through -- but those who do will learn something new about Eliot´s range and subtlety in handling symbolic features. (Lund Studies in English No. 70, 1984; 197 pp.)
The Brontës and Religion (hardback)
appeared from Cambridge University Press in 1999. The first full-length study of religion in the Brontë fiction, it shows how the Brontës' familiarity with the contemporary debates on doctrinal, ethical, and ecclesiastical issues informs their novels. Divided into four parts, the book examines denominations, doctrines, ethics, and clerics in the work of the Brontës. The analyses of the novels clarify the constant interplay of human and divine love in their development. While demonstrating that the Brontës' fiction is usually in agreement with the basic tenets of Evangelical Anglicanism, The Brontës and Religion emphasises the characteristic spiritual freedom and audacity of the Brontës. Lucid and vigorously written, it opens up new perspectives for Brontë specialists and enthusiasts alike on a fundamental aspect of the novels greatly neglected in recent decades.
Excerpts from reviews: "[a] well-informed [study] based on scrupulous readings and meticulous judgments" (Times Literary Supplement); "[the author's] willingness to read with the grain of the novels' religion makes for absorbing reading" (Victorian Studies); "a refreshingly textual study of the Brontës' fiction" (The Review of English Studies); "a work of extraordinarily comprehensive scholarship" (The Journal of Ecclesiastical History); "the kind of writing which will endure and remain valuable for many years to come" (Theology); "I very much enjoyed this book" (Reviews in Religion & Theology).
The Brontës and Religion, hardback
The Brontës and Religion, paperback
English Now
Selected Papers from the 20th IAUPE Conference in Lund 2007
In August 2007, about 200 senior researchers in the field of English, language and literature, spent a week in Lund taking the temperature of their subject. Nearly 150 papers were presented in 19 conference sections. This volume contains a lively selection, chosen by the 37 Section Chairs as saying something about where research in the discipline is heading. Also included are the two plenary lectures about the state and future of English in the academy by Elizabeth Traugott (language) and Helen Vendler (literature).
A common feature unites this diverse collection: English literature and language as a vital concern for real people, all over the world and in the past as well as the present. Here 'English' reaffirms its human credentials, moving forward with fresh confidence and enthusiasm. (Lund Studies in English 112, ISBN 978-91-976935-0-9)
Contents
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The Brontës in Context (hardback)
Edited by: Marianne Thormählen, Lunds Universitet, Sweden
Very few families produce one outstanding writer. The Brontë family produced three. The works of Charlotte, Emily and Anne remain immensely popular, and are increasingly being studied in relation to the surroundings and wider context that formed them. The forty-two new essays in this book tell 'the Brontë story' as it has never been told before, drawing on the latest research and the best available scholarship while offering new perspectives on the writings of the sisters. A section on Brontë criticism traces their reception to the present day. The works of the sisters are explored in the context of social, political and cultural developments in early-nineteenth-century Britain, with attention given to religion, education, art, print culture, agriculture, law and medicine. Crammed with information, The Brontës in Context shows how the Brontës' fiction interacts with the spirit of the time, suggesting reasons for its enduring fascination.
The Brontës in Context, hardback
The Brontës in Context, paperback
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